Wastima Script is a new modern script font with an irregular baseline. Trendy and feminine style. Wastima looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates and multiple language support.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

How to access all alternative characters:

https://www.youtube.com/watch?v=Go9vacoYmBw

https://www.youtube.com/watch?v=XzwjMkbB-wQ

https://www.youtube.com/watch?v=x1A_ilsBsGs

https://www.youtube.com/watch?v=xFlMwARHusY

If you need help or have any questions, please let me know. I'm happy to help :)

Thanks & Happy Designing!

The typeface Brush Hand Marker is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The rough sans-serif display typeface with 4 font styles (Italic, Invert, Shadow, 3d) is inspired by handwriting.

348 glyphs incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (2 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size.

Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!

Font Spe­ci­fi­ca­ti­ons

■ Font Name: Brush Hand Marker

■ Font Weights: Italic, Invert, Shadow, 3d + DEMO (with reduced glyph-set)

■ Font Cate­gory: Dis­play for head­line size

■ Font For­mat: .otf (Mac + Win, for Print) + .woff (for Web)

■ Glyph Set: 348 glyphs

■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture. Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & geometric shapes

■ Design Date: 2020

■ Type Desi­gner: Manuel Viergutz

Majestic Romance is a gorgeous font duo consisting of a script and a sans serif font in two variation - regular and rough.

Majestic Romance is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more.

Feature

• UPPERCASE
• Lowercase
• Numbers & Symbol
• International Glyphs
• Alternative UPPERCASE
• Alternative Lowercase
• Ligatures
• Swashes

If you need anything else or you require an upgraded license please contact dedukvic@gmail.com

Melania is a script font that is created by natural hand writing and gives you the feminine touch that you've been looking for. The irregular spacing brings the personal and unique feels which is very suitable for signatures, wedding invitations, fashions, headlines, quotes, and more. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternates, ligatures, and more, as well as including multi-lingual support.

This font have 2 styles: Script and Monoline.

The Script version gives you feel the brush stroke with thin and thick.

The Monoline version gives you the consistency feel on every stroke, so it only has one weight from start to end, no weight difference.

Grown is a modern and clean display font. The design of typeface will make your design more beautiful and inspiring. This font will suitable for any project, like branding, print template, logo and more.

Features :

• Accents (Multilingual characters)
• 18 Ligatures
• 19 Alternates
• PUA encoded
• Numerals and Punctuation (Open Type Standard)
• Full Support

Safina Bralyn is a handwritten signature font which is very elegant and modern for you to use and your design interests be it for logos, branding names, posters, podcasts and so on.

Behtab is a sans-serif font family designed by Naghi Naghashian in tree weights. Behtab Light, Behtab Regular and Behtab Bold. It is extremely legible even in very small size.

This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Behtab supports Arabic, Persian ( Farsi ) and Urdu.

It also includes proportional and tabular numerals for the supported languages.

Behtab design fulfills the following needs:

A   Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B   Suitability for multiple applications. Gives the widest potential acceptability.

C   Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D   An attractive typographic image. Behtab was developed for multiple languages and writing conventions. Behtab Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.

E   The highest degree of calligraphic grace and the clarity of geometric typography.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design!

Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This stencil typeface only contain the bold weight, but there are also available other versions without stencil cuts, like Nouveau LX and Nouveau LX Expanded.